3D

Bright idead drama for 3D Tvs

Vizio nixes 3D TV development in favour of 4K

3D TV, we Canadians hardly knew ye

Great expectations dashed: ‘The Hobbit’ and ‘Hyde Park on the Hudson’

3D hits the wall with ‘The Hobbit’; a limping Murray makes a fine FDR but the movie is lame

3D R.I.P.

It was the last hope for business as usual for the entertainment and consumer electronic industries

Scorsese’s ‘Hugo’ is quietly enchanting. Imagine that.

Mr. Mean Streets unlocks a childhood fable about the birth of cinema

Why 3D is turning out to be a bust

10 new rules for saving 3D cinema

Enough with the gimmickry, price gouging and 2D conversions

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The future, or a flop?

Manufacturers are rushing out new 3-D TV products, but some analysts see trouble ahead

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Peter Robertson vs. James Cameron

We’d still be stripping screws if it weren’t for Robertson, but we wouldn’t have the special effects we do without Cameron

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Notes from the Underworld: Reviews of ‘Hellboy II: The Golden Army’, ‘Journey to the Center of the Earth,’ ‘The Wackness’

It’s a weekend of underworld heroes, in all shapes and colours. An infernal brute fights off an underground horde in Hellboy II: The Golden Army; a trio of subterranean explorers go spelunking in the 3D depths of Journey to the Center of the Earth; and a young drug dealer scores pot from Jamaican gangsters beneath the streets of Manhattan in The Wackness. These movies are, respectively, a state-of-the-art supernatural fantasy, a corny family adventure, and a quirky coming-of-age picture. But they’re all guy movies. Each is geared to a different demographic. Hellboy II is a masterful fantasy that should appeal comic book fanboys, Lord of the Rings freaks, fans of director Guillermo del Toro, and anyone who appreciates sci-fi spectacle. Unless you’re 12 years old, or are a boomer trying to graft your childhood onto your innocent progeny, you might want to pass on Journey to the Center of the Earth. Sure, it’s in digital 3D, which offers an undeniable novelty, but better 3D movies will be coming along soon. As for The Wackness, which won this year’s Audience Award at Sundance, it’s a charming American indie film that offers a more modest style of summer escape. Details: