kari skogland

The Canadian director of ‘The Falcon and the Winter Soldier’ series talks about the challenges and benefits of making ‘a six-hour movie’

Two female directors show their mettle with tales of war and terrorism

This weekend’s new releases include an air-headed Hollywood confection, an earnest CanLit adaptation, and some hard-boiled David Mamet. Like Tolstoy’s unhappy families, each of these films is troubled in its own way, but they all have their pleasures. The candy-floss comedy of What Happens in Vegas and the fight-club fetishism of Mamet ’s Redbelt both have quite preposterous plots. The difference is that Mamet is actually attempting realism and falling short—yet it is still the better movie. The Stone Angel, based on the classic Canadian novel by Margaret Laurence, has a narrative that remains dutifully plausible from start to finish, and it’s a bit of slog. Yet it’s as good as can be expected, given that it’s spun from the hide of a complex, interior narrative that resists adaptation with a stubbornness rivaling that of its heroine. And Christine Horne, making her film debut as the young Hagar Shipley, delivers a star-making performance.