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David Chase Goes Meta


 

David Chase hasn’t been doing much since The Sopranos ended (he was supposed to go into writing and directing movies, but it’s hard to get those things greenlit), and HBO hasn’t had many successes, so it’s not altogether surprising that they’re going to re-unite. Chase will create and executive-produce the miniseries A Ribbon Of Dreams, tracing the story of Hollywood from the early days to its decline. The odd-couple lead characters will be representative of the two very different pools of talent that Hollywood drew on: one’s an intellectual with the mechanical and technical know-how that movies require, and the other is a roughneck cowboy type who winds up in Hollywood making movies about the Old West culture that is now dead. According to the link, “the miniseries will cover the age of rough-hewn silent Westerns, to the golden era of talkies and the studio system, to the auteur movement, to television, and finally to the present day.”

You can see why Chase and HBO would be attracted to this material. HBO is always trying to make shows that are Metaphors For America, and Hollywood is like the ultimate metaphor for America; a place built out of incompatible people trying to work together, whose job it is to figure out what stories Americans will want to buy. Chase is fascinated by movie references and the way real life intersects with popular culture — The Sopranos was in part about gangsters who have all grown up watching gangster movies — so this is his kind of thing too. And with the success of Mad Men, an idea HBO turned down, it isn’t surprising that they would be on the lookout for similar material: something about 20th century America and the people who sell fantasies to America and the world. Besides, one of HBO’s few remaining successes is a Hollywood meta-story, Entourage.

Of course, Hollywood meta-stories have a way of being self-congratulatory and insular, even the good ones, which always tend to be made from the point of view of people who have no idea what a good movie is. (What I mean is that a lot of Hollywood meta-movies seem to express the very misguided opinion that movies would be better if they’d have more respect for screenwriters and deal with more “provocative” subjects. There are some honourable exceptions like Barton Fink, which takes an ironic attitude toward know-it-all pretentious screenwriters.) And the last project that tried to deal with the early days of Hollywood, Peter Bogdanovich’s Nickelodeon (based on stories told by Hollywood veterans like Raoul Walsh), was a box-office flop. But hey, it’s David Chase; HBO needs him, he needs HBO, and unlike the other David (Milch) he usually gives the impression that he knows exactly what he’s doing.


 
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David Chase Goes Meta

  1. In terms of writing, thinking, sheer production and probably life experience David Milch would rip your head off and shit down your throat. If HBO had a clue they’d keep him on contract for the rest of his life and let him do exactly what he wanted.

    • In terms of writing, thinking, sheer production and probably life experience David Milch would rip your head off and shit down your throat.

      All very true. Especially the life experience part. Which doesn’t actually require me to like “John From Cincinnati” or not have reservations about his work on “NYPD Blue.” (Here we get into the age-old question of whether I can criticize something while also acknowledging that the creator is brilliant and I could never in a million years do better. The answer to that age-old question is yes.)

      • And your reservations about NYPD Blue ? As for the Davids, Milch writes all the scripts, Chase had brilliant writers on Sopranos churning out his scripts Terrance Winter ( Numerous accolades) Matt Weiner ( Mad Men) just to name a few. Deadwood may have been the best pure writing television has ever seen, and it all came from Milch. If you got close enough to both , you would realize this is no contest. That is not to take anything awaemy from Chase, it is just an easy call if you have been around both of them, which I had the pleasure of.

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