You know how, in The Producers, the audience for “Springtime For Hitler” is left slack-jawed and horrified at what they’ve just seen? And then, just as they’re about to walk out, they start to realize that the whole thing is so over-the-top that it’s funny? And finally they’re loving it and saying it deserves to run ten years?
That’s me with the closing ceremonies. The mountie costumes. The two guys in a pair of canoe-shaped pants. The slide-whistle sound effects to take away the guest star’s dignity. The beavers. It all felt so ridiculous and so sincere in its cheesy showbiz phoniness that I couldn’t help but be won over; it was like The Simpsons Family Smile-Time Variety Hour came to life and had a Canadian theme.
So, to the producers of this show, and the little old ladies who presumably invested in it: I don’t know what you were thinking, but I’ll take it.