Michel Hazanavicius

TIFF 2014 Diary: Falling hard for The Good Lie

Highlights from the fourth day of the festival, including Reese Witherspoon’s latest drama (not that one) and Michael Douglas’s sartorial take on Satan

‘The Artist’: the year’s most unlikely crowd-pleaser

This French film that needs no subtitles is the kind of movie Woody Allen would like to have made