Peter Mettler

Peter Mettler’s ‘The End of Time’ is the ultimate trip

With dazzling vistas of inner and outer worlds, Peter Mettler crafts a new genre: the ‘cosmomentary’

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Opening Weekend: ‘Extraordinary Measures,’ ‘The Last Station,’ ‘Creation,’ ‘Petropolis’

Whatever happened to Harrison Ford? That look of righteous, paranoid intensity has become a stock gesture