steve mcqueen

TIFF 2013: Back where they started

10 rookie directors who lived to face another fest

Taking the joy out of sex in ‘Shame’

For all its sexual audacity, ‘Shame’ is strangely puritanical — a carnal guilt trip

Forget Gosling, Pitt and Clooney—check out the children

Some of TIFF’s brightest stars are unknown kids acting without a net

No more Mr. Nice Guy for Seth Rogen

Opening Weekend: ‘Observe and Report’ ambushes us with cruel comedy, ‘Hunger’ hits us with real-life drama—either way it’s no picnic

no-image

Going hungry with Che

Slept in for a change. The Cannes programmers gave us a break today, clearing out the schedule to leave our palates fresh for this evening’s premiere of Che, Steven Soderbergh’s four-hour-plus epic about Che Guevara. For once it was sunny. I was tempted to hit the beach, and almost did. But dark rooms exert an addictive pull in this place, along with the fear of missing something unmissable. So this afternoon I caught the final market screening of Hunger, which opened the Un Certain Regard sidebar last week. It’s a much-buzzed feature debut from British visual artist Steve McQueen (you think he’d at least call himself Steven to avoid confusion with the dead actor on IMDB.)