I sometimes talk about how Canada has problems making – or at least getting people to watch – home-grown TV, and what the CBC’s mission should be, and whether certain types of co-productions are really Canadian shows. But it’s easy to sound too pessimistic; the problems are real, but most Canadian networks have been able (sometimes almost by accident) to make shows that Canadians want to see. The CBC has some productions that have been successful; CTV has done some popular shows; the CW just arranged to pick up another Canadian show (albeit one set in the U.S., but that’s not the key to Canadian-ness, any more than an American movie isn’t American if it’s set in another country). The kid-com Mr. Young is doing well both here and on the Disney XD channel in the States. Even Global, which tends to have the least original scripted programming, unveiled the mini-series Bomb Girls this week. The issues with how Canadian networks make and schedule their programs are real enough, as are the issues with providing incentives for Canadian talent to stay in the country, but there has been some improvement.
And if you want to see a network that is really almost completely dependent on foreign scripted programming, you may have to look South. This New York Times article on PBS is about how the network is cool again – something it’s heavily emphasizing at its current Critics’ panel. But the coolness depends mostly on UK shows: the network got more popular because it got the rights to broadcast ITV’s Downton Abbey and BBC’s Sherlock. These are terrific shows. (Sherlock‘s “A Scandal In Belgravia” established it again as one of the best detective shows on TV, a master of that combination of craziness and earnestness that the Americans haven’t quite gotten right lately.) And PBS does a valuable thing by bringing them to North American viewers for free. But the network is still no closer to producing its own shows that could change U.S. dramatic TV, the way Sesame Street changed kids’ TV and its documentaries changed unscripted TV. It’s possible that producing home-grown shows is impossible or impractical for PBS, but without them, it will never be AMC, let alone HBO.