From virtual reality to Netflix’s arrival to the emergence of women directors, Cannes finds itself in flux at 70. What comes next?
“Okja” is a novel twist on the big budget monster movie, but it was the studio behind it that first caught the audience’s attention at the festival
Brian D. Johnson’s first dispatch from Cannes, the high altar of world cinema—where it’s grappling with some seismic shifts
Scenes from the red carpet at the annual film festival
Criticism of Kechiche’s ‘male gaze’ is overblown
From the archives: The Maclean’s veteran dishes on the highs and lows of the festival
Photographer George Pimentel shares his glitziest shots from the 65th annual film festival
Superheroes save the world at home, but anti-heroes are the avengers in France
Judging from this year’s Cannes screenings, cinema is obsessed with seductive angels of mercy
From the scenery to the stars, just about everything is beautiful in Cannes
Looking for despair and anguish on the big screen? Then you’ll love Cannes.
Brian D. Johnson on the stars, the hits, the tricksters and the strange bedfellows